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Winter Deadline EXTENDED to 11:59PM tonight (Mon 11/4)

We realize there’s a lot going on in the world right now…so we’re giving you a few extra hours this evening to make your Winter IntroSem selections. Deadline extended to 11:59PM tonight, Monday, November 4. Act fast. Late submissions and emailed entreaties will not be accepted after this time! Click on Seminars to review your options and go to the IntroSems’ VCA to submit your statement and rank your top three.

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ENGLISH 94Q: The Future Is Feminine

Application Deadline: November 4. Cross listed: FEMGEN 94Q
Abstract drawing of Female Robot, 1964. Kiki Kogelnik. CC BY-SA 3.0

Course Description

Gender is one of the great social issues of our time. What does it mean to be female or feminine? How has femininity been defined, performed, punished, or celebrated? Writers are some of our most serious and eloquent investigators of these questions, and in this class we'll read many of our greatest writers on the subject of femininity, as embodied by both men and women, children and adults, protagonists and antagonists. From Virginia Woolf to Ernest Hemingway, from Beloved to Gone Girl (and even "RuPaul's Drag Race"), we'll ask how the feminine is rendered and contested. We'll do so in order to develop a history and a vocabulary of femininity so that we may—in this important time—write our own way into the conversation. This is first and foremost a creative writing class, and our goals will be to consider in our own work the importance of the feminine—across the entire spectrum of gender, sex, and identity—and how we write about femininity, using other writers as models and inspiration. As we engage with these other writers, we’ll think broadly and bravely, and explore the expressive opportunities inherent in writing. We’ll explore our own creative practices through readings, prompted exercises, improv, games, collaboration, workshop, and revision, all with an eye toward writing the feminine future.


Meet the Instructor: Shannon Pufahl

Shannon Pufahl

"I grew up on a farm in rural Kansas, where we raised dogs, pigs, and rabbits. I moved to California for graduate school after working as a bartender and freelance writer. As a Ph.D. student at UCDavis I studied early American literature, women's writing, and animal studies. I came to Stanford as a Stegner Fellow in Fiction, where I wrote a novel about gambling and queer history, called On Swift Horses, now out from Riverhead Books. As a Jones Lecturer in the Creative Writing Program I teach classes in all genres and on a variety of themes, including Queer Stories, Form and Transformation, and Storytelling in the Arts. My wife and I have two brilliant dogs—a terrier mix named Fig and a blue heeler named Big Patty—who love cruciferous vegetables, the ocean, and playing fetch.”

Department(s)

English

Cross-listed Department(s): Feminist, Gender and Sexuality Studies

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